It was a warm weekend for the Glasgow comic convention now in a new venue at the CCA on sauchiehall street. The venue was an improvement on last year with more space and nicer surroundings.
I really enjoyed most of the weekend apart from Simon Bisley who I have to say is one of the most disappointing individuals I have ever had the misfortune to meet. I don't think I'll ever buy anything with his name on it again. By the time I met him late on the Saturday afternoon he had reached a confrontational stage of maudlin drunkeness and he was being abusive to everyone he encountered. Many people were saying that he is a total arsehole although I couldn't possible comment.
Anyway, enough toxic ranting. On to good stuff, and there was a lot of good stuff The first thing I did was stand in line to meet John Wagner (the man who came up with the name Judge Dredd) and Carlos Ezquerra (the man who designed Judge Dredd). I was lucky enough to get a sketch of Dredd and their autographs on a copy of 2000ad number 2 (the first Dredd comic strip).
Wagner and Ezquerra were very, very nice and indulgent. True gentlemen.
After that I met John Higgins, an all round great artist and famously the colourist on Watchmen. He's a great artist and a bought a small book illustration from him. He also drew a quick Judge Dredd sketch for me.
I then had a look at some of the local Glasweigan indie comics. I picked up the new comic by Jim Devlin, an up and coming writer/artist who won the awards for best writer and best artist. I also bought the new books by John Lees and Neil Slorance, all of which are very nice and well worth investigating.
Finally I sat in on a panel of artists including Alan Davis, Cam Kennedy and Yishan Li talking about working as comic artists. They all had rather different career paths and interesting tales to tell. Kennedy, a native Glasweigan has some great chat and was given free reign to talk for nearly an hour about his long and varied career on the Sumday. In the panel we heard about the differences in the industry in the UK, America, Europe and Asia. I am not familiar with the work of Yishan Li but I am told that she is a successful manga artist. The art that I saw her produce looks good anyway.
On Sunday my main objective was to meet Alan Davis, my favourite comic book artist. I had to wait in line for about 90 minutes to meet him but it was worth it. He's a really modest, normal, down to earth bloke who still lives in Corby. I spent some time in Kettering and Corby about 10 or 11 years back and I think he was interested to hear that I knew the place. It is always nice to be treated well by a childhood hero and he drew me a great sketch of Captain Britain.
I had lunch with one of the guys from the book group I attend after getting my sketches. I bought a couple of books and some old comics and then I spent most of the rest of the afternoon listening to talks.
I did make one interesting comic book discovery (well, a discovery for me anyway). I met Glasweigan comic book artist Lorna Miller and picked up some of her Witch comics, published about a decade ago by Slave Labour Comix. I had never heard of her but she has collaborated with Peter Bagge. She has a style similar to Bagge with a geography that I can relate to personally. One strip is based in a carry out shop on Great Western Road. I need to get more of her work and I hope she continues to publish.
To close the Sunday I sat and listened to a series of talks. I have already mentioned the quality chat of Cam Kennedy and his solo session was very interesting. He had trained in commercial art in Glasgow doing early work on Commando comics for DC Thompson before heading off round Europe. You often hear criticism of DC Thompson but Kennedy told us the other side of the story detailing the various perks of working for the Dundee publishers. Cam has a healthy indifference to his career and sounds like he enjoyed himself without becoming big headed. He worked hard in his time and produced some great stuff. His tales of interactions with American publishers and Lucasfilm were brilliant and I would gladly have listened to him for a day. Sadly problems with his eyes mean that he can no longer work but he certainly can talk.
After that there was a panel chaired by John McShane discussing the differences between working in the American industry and the UK industry. Alan Grant, Mike Ploog and Alan Davis have all been successful internationally and raised some interesting points. Grant made enough money from writing Batman in the late '80s to buy a house that his friends call Wayne Manor. Davis continues to do high selling books for Marvel comics. A common theme was issues with editors. A good editor can make a job great whilst a bad editor can make your life hell. Ploog has a great story about why he never worked for DC after unintentionally insulting a famous editor.
The weekend ended with Alan Davis discussing his career. As I have already mentioned he is a modest man who feels lucky to have had a career as a comic artist. He no longer reads modern comics as he has become disillusioned with the violence that is often present in stories. He chooses not to write because he feels that his stories would not sell. This is a shame because he has written some good stuff over the years. Davis stands as an example of professionalism and decent blokeness. Most of the people I met over the weekend were the same, with one sadly obvious exception.
To end on a good note though here's a picture by Mike Ploog:-
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